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A trip through the archives on the Dance Division’s 75th anniversary shows how its history reflects the arc of American dance in the 20th century.

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The bassist Esperanza Spalding and choreographer Kayla Farrish are teaming up to improvise together, mending the frayed relationship between their arts.Esperanza Spalding, left, and the dancer-choreographer Kayla Farrish.

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Diana Vishneva’s performance at the Venice Dance Biennale raised uncomfortable questions for an event that once vowed to cut ties with Russia’s artists over the war in Ukraine.

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A farmer, poet and musician, he revitalized contra dancing in the 1960s and ’70s, bringing the tradition to a new generation.

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Copeland, the retired ballerina was the first Black female principal of American Ballet Theater, curates a two-week festival at the Joyce.

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