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There is something rather wonderful about independent horror filmmakers who look at good taste, restraint and conventional storytelling, then decide they want absolutely nothing to do with any of them. The Flesh People, a 103 minute horror comedy from writer and director Keshav Srinivasan, is one of those films. It’s grubby, drug fuelled, fre...

There cannot be many horror subgenres that have been stretched, twisted and thoroughly wrung out quite as enthusiastically as found footage. Ever since filmmakers realised that handing characters a camera could provide both a stylistic choice and a convenient explanation for a modest budget, we have been subjected to supposedly recovered tapes from haunted houses, abandoned h...

There is something undeniably romantic about the idea of meeting a complete stranger while travelling and discovering, almost immediately, that you simply enjoy being around them. No dating apps, no carefully constructed profiles and no weeks of messages before finally deciding whether to meet. Two people cross paths, circumstances give them nowhere particularly urgent to be,...

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Independent filmmaking is often about making the absolute most of very little, and Noblestone certainly falls into that category. Written, directed, photographed, edited and scored by Albert Goya, the 94-minute feature was completed over two years with no budget, featuring just one performer, Goya’s sister Lucia Goya-Betts, p...