Future Classics

DJ Shades (San Antonio, Texas) has been in the game for a long time. He started messing with dual-CD mixers early on and was already treating it like a real craft by twelve. His sound sits at the intersection of Jersey Club, Miami Bass, and broader Global Bass textures. “LOUDER” — a hard-hitting track that lives up to its name from the recent 140CLUB Summer Complication 001....

Fresh up from Odd Language. “STACKS” (with Wavhart) out via MONTA Records, and the early reaction to the free bass release has been everything you’d expect. If you’ve been following the more hybrid and harder side of modern trap and bass music, this one is for you.

K Motionz doesn’t mess about when he drops new music. The Birmingham producer released “Misbehave”, a sharp, high-impact drum & bass single that continues his run of pure heaters. Make a bad girl (and the whole room) misbehave.

“call my name” is track 12 on Whipped Cream’s debut album HOME WAS ALWAYS ME. LYSHI (Vancouver) takes the track into cleaner house territory, sharpening the groove and opens it up for the floor while retaining the song’s introspective side. It’s a remix that doesn’t try to reinvent the track —it just makes it more immediately playable in House context. *The free download lin...

“The Vision” has room to breathe. Crimson Child’s rarely rushes; instead he builds us worlds. Expect the hallmarks of his style: carefully layered textures that prioritizes atmosphere and narratives. The track feels like a continuation of the cinematic direction he’s been refining—something that could soundtrack a quiet moment or a slow-burn descent.