The contract-killer picture is one of the most durable modes in action cinema, and Korean film has spent the past decade making it its own. “Mantis”, Lee Tae-sung’s feature debut, arrives as a spin-off from Byun Sung-hyun’s “Kill Boksoon”, set in the same lethal industry and released, like its predecessor, straight to Netflix. It is a slick, muscular entry in that lineage, ca...
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